Cool People Stories
Pixel-art portrait of Nadieh Bremer

Creator · The Netherlands

Nadieh Bremer went from mapping stars to making data look like something you'd hang on a wall

Nadieh Bremer

Data visualization artist, Visual Cinnamon

Somewhere along the way, 'data visualization' came to mean a KPI dashboard the color of a parking garage. Nadieh Bremer is the strongest available evidence that it didn't have to be this way. Her charts get framed. Not screenshotted, framed, on walls, by people who do not otherwise own charts.

She started about as far from design as you can get: astronomy at Leiden, the actual mapping of actual stars, finished cum laude. Then came a stint in analytics consulting, where she discovered the fun part of her job was the twenty minutes spent making the results legible, and did the brave thing of reorganizing her entire career around those twenty minutes. Visual Cinnamon, her solo studio, was the result.

Twelve months that changed the field

The project that made her internet-famous was Data Sketches, a collaboration with fellow viz virtuoso Shirley Wu. The premise was simple and slightly unhinged: every month for a year, each of them would build an experimental visualization around a shared theme, and publish the process, dead ends included. No client, no brief, no chart-type guardrails.

The results looked like nothing else in the field. Constellations of Olympic feats, floral patterns grown from data, pieces where you genuinely cannot find the line between statistics and art. It became a book, and the write-ups became a syllabus for a generation of practitioners who learned that 'the data made me do it' is not a design philosophy.

The client list caught up fast. Google News Lab, Sony Music, UNESCO, scientific journals. The commissions all share one property: nobody hires Nadieh for a safe chart. They hire her because the data deserves an occasion.

From the woods, with math

These days she works from a house in the Dutch woods, making commissioned pieces and personal work that leans ever further into data art, including generative pieces where the code is the brush. The astronomy never really left; you can see it in how often her work looks up, literally, at stars and skies and constellations of human achievement.

Her talks and write-ups are unusually generous, full of the actual how: the failed drafts, the trigonometry, the SVG hacks. Browse visualcinnamon.com, then try Data Sketches. You will either become a better chart-maker or finally admit your dashboard tool has been holding you creatively hostage. Both are wins.

The Rundown

The things Nadieh has actually shipped.

  • Data Sketches

    Twelve themes, twenty-four experimental visualizations, one book. The most inspiring thing the field has produced this decade, and the process notes are half the value.

  • Visual Cinnamon

    Her studio and portfolio. Commissioned data art for the kind of clients who understand that beautiful and rigorous are not opposites.

  • The generative art

    Her newer work lets algorithms do the drawing under her direction. Somewhere between math homework and gallery piece, in the best way.

Common questions about Nadieh Bremer

Who is Nadieh Bremer?
Nadieh Bremer is a Dutch data visualization artist who runs Visual Cinnamon, her one-woman studio, with clients including Google News Lab and Sony Music. She trained as an astronomer, earning an MSc cum laude from Leiden, and works from a house in the woods in the Netherlands.
What is Data Sketches?
Data Sketches is the project Nadieh Bremer co-created with Shirley Wu: twelve months of experimental data visualization, twelve themes and twenty-four pieces, later published as a book with extensive process notes.
What is Visual Cinnamon?
Visual Cinnamon is Nadieh Bremer's data visualization studio and portfolio, producing commissioned data art for clients who want work that is both rigorous and beautiful.